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Now Accepting New Clients!
This is my demo reel containing footage from projects spanning six years. It showcases my unique ability to capture the energy and emotional impact live music has on its fans. My target demographic is the "Hardcore Festie", a group of fans that attend an average of 5 Music festivals per year. They only make up 20% of festival attendees, but they spend an average of 78% more on tickets, and are 2X more likely to name “the experience” as the top decision factor than casual fans.
Competition between the nation’s biggest festivals has hit a boiling point, all announcing their lineups and first on sales within a few days of each other, and all targeting the same broad audiences. People are losing interest in huge festivals with $500-600 tickets, and are shifting their eyes to smaller "niche" events.
While the big players fight it out, that leaves plenty of room for smaller festivals to double down on a focused, defined market. The festivals that have embraced this strategy are already seeing success, even growing into national phenomenon in their own rights.
I was asked by one of my main clients, Mammoth, to help promote a brand new country festival they were putting together. With a combination of Digi Blue's own footage and clips from the headlining artists' music videos, I created a 30 second promo to use for TV ads and social media. Drawing in over 10,000 fans, the festival was a huge success.
Average age: 32 | Gender: 59% male 41% female | Average Income: $75k +
Attends an average of 5-6 festivals per year, and is responsible for more than half of the total annual spend on festival tickets in North America.
Hardcore festies only make up 20% of festival attendees — but they spend an average of 78% more on festival tickets than casual fans.
Hardcore Festies are more likely to choose the deluxe ticket package: two out of five hardcore festies have bought VIP tickets to a festival, and they’re 19% less likely than casual fans to consider cost first when deciding to attend. And their passion shows — they spend an average of $550 on their most expensive festival ticket.
Hardcore festies have been to their favorite festival an average of three times.When deciding whether to attend, they’re 1.5x more likely than casual fans to consider the festival producer or promoter. They’ll also rally their friends. 69% of hardcore festies say their friends rely on them for information about upcoming music festivals, and they’re 42% more likely than casual fans to post on social media at festivals.
I was hired to lead video for Slipknot's Knotfest Iowa. This was my biggest production to date for a fest that sold out all 30,000 tickets. The aftermovie combined for over 2.2 million views across Slipknot's social media channels.
56% agree they'd rather attend a smaller, niche festival than a mainstream festival. What does a unique experience mean to these fans? 35% considered the availability of VIP access in their decision, 30% considered camping, and 23% considered non-music programming like talks, workshops, food/culinary experiences, and art installations.
Understanding how a "hardcore festie" decides on which festivals to attend, makes targeting them much easier, and very few festivals are going after them in their marketing. The initial content puts the music festival's experience directly in front of their eyes, and then short, concise follow-up ads highlight the features that influence their decisions.
On social media, people want to share their new discoveries with friends. One of the top influences driving ticket sales is "friends attending". This creates what's called a “flywheel” of event discovery. Once the wheel is set in motion, it will spin faster and faster on its own momentum — growing a festival's following and attendance without taking up more of the marketing team’s time.
I made this video to generate excitement around the line up. The goal was to make it short and to the point, while also showcasing the experience of attending a music festival in a hidden medieval kingdom. The campaign ended with 100,000 video views.
A recap of Day 1 released by 10am on Day 2. The purpose of these quick recaps are to boost single-day ticket sales by creating intense FOMO (fear of missing out) for people who were on the fence about attending.
I had a team of just 3 people for this small, niche festival, and this aftermovie showcases the intimate and magical experience of the festival.
This ad was a massive success. We reached 400,000 video views within 3 months.
This is the type of advertising Digi Blue specializes in. Using footage acquired from the year prior, I create unique High Energy videos designed to sell tickets.
These Dancefestopia video campaigns ran for almost 6 months and never stopped being profitable in advertising.
This video was made overnight between Day 1 (Wakaan "Thursday Takeover" Preparty) and Day 2. The purpose of these quick release recaps is to maximize "buzz" while the event is taking place. This buzz helps significantly boost single-day ticket sales, using the power of FOMO. We make a specific point of highlighting the stage production as well.
This video generated massive hype for Dancefestopia a few weeks before tickets went on sale.
I was asked by Mammoth to help promote a brand new country festival they were putting together. With a combination of licensed stock footage and clips from the headlining artists' music videos, I created a 30 second promo to use for TV ads and social media. It was also picked up and aired by local news stations. Mammoth was expecting to sell 8,000 tickets total. The event ended up selling 25,000.
A recap of Zach Bryan's performance on Day one released by 10am on Day two.
An aftermovie highlighting the overall experience of the festival. This was shot with a two-person video team, over the course of about 7 hours. unfortunately, rain delays caused reduced hours the first two days, and day three was cancelled entirely.
I lead a 10 person video team for this festival in 2019. I made this Same-Day Recap overnight between day one and day two.
The festival went through some major changes, including relocating to a new venue. This video was made to send the message, "The noise doesn't matter, we're still having the time of our lives with the people who matter most." The local news audio overlay in the beginning, song selection, and the slogan "This Is Where we Come Alive", were all conceived by Digi Blue.
I partnered with Hulaween, Festive Owl, and Fandiem to promote a dream package giveaway that was used to raise money for charity.
Dancefestopia and I believed their venue was just as much of a headliner as the artists on the line up, so I made a video specifically highlighting it.
This is a 30 second ad I created for broadcast television ads and local news.
I made artist motion graphics for all the headlining artists to use in social media advertising. The purpose was to spread awareness about the acts and highlight their most popular songs.